Floods of information and inspiration poured forth from the AWP conference in Seattle. Thousands and thousands of writers congregated with editors, publishers, poets, teachers, and students. I recognized my tribe.
In packed rooms I scribbled notes as speakers addressed subtleties in spiritual writing, researching historical novels, nature essays, regional poetry. One night I heard Eva Saulitis, a marine biologist, teacher, writer, and poet (and beekeeper), describe long, cold months observing orca whales. She described how the boredom, the waiting, the emptiness were aspects of imagination, precursors of her work. The work, she said, came from the intersection of “data collection and awe.”
I arrived home with so much to think about. My craft and direction were reconfirmed. I found leads to publish work. I made friends, growing a community that suddenly spans the globe. I heard new models of writing and carted home pages of notes toward the New Book, skills in Twitter, goals for blogging, and a writing schedule to try out. And enough literary magazines to pull my shoulder out of whack.
It was an overabundance. I swam in it for three weeks after the conference.
* * *
Neighborhood crows flap heavier these days because their beaks are filled with sticks. They are building nests, of course, as I build scaffolding for my new book.
“Pairs function as highly synchronized teams, building large, stick-based nests, carefully lining them with fine rootlets or hair.” (Marzluff and Angell, In the Company of Crows and Ravens.)
An initial web of ladders and planks give workers safe access to transform all parts of a structure. For a book, scaffolding might include an outline, a timeline, a narrative arc plotted on a whiteboard or paper. I also build a schedule on paper and in Google. The schedule must include walks, library research, fieldwork, and snacks of music, books, drawing, museum visits.
“Crows take a great deal of time choosing the sticks they want to use in the construction of their nests.” (Haupt, Crow Planet: Essential Wisdom From the Urban Wilderness.)
The scaffold also serves to protects the act of writing itself, because life is so full with family, other work, events, friends. I keep re-learning that limits must be set.
“The crow’s nest is a remarkably intricate piece of work, belying both the rough exterior of the structure and the bulkiness of its creators.” (Haupt)
At this time, it's better for me to dwell inside the book for several days or weeks at a time, listening to echoes and characters, without forced interruptions to broadcast content. See you in a few weeks.